{"id":18637,"date":"2025-10-29T13:48:17","date_gmt":"2025-10-29T12:48:17","guid":{"rendered":"https:\/\/nsff.no\/magasinet\/?p=18637"},"modified":"2025-11-11T18:56:03","modified_gmt":"2025-11-11T17:56:03","slug":"the-good-photographs-of-american-photography","status":"publish","type":"post","link":"https:\/\/nsff.no\/magasinet\/2025\/10\/29\/the-good-photographs-of-american-photography\/","title":{"rendered":"The Good Photographs of American Photography"},"content":{"rendered":"<p>[et_pb_section fb_built=&raquo;1&#8243; _builder_version=&raquo;4.27.4&#8243; _module_preset=&raquo;default&raquo; global_colors_info=&raquo;{}&raquo;][et_pb_row _builder_version=&raquo;4.27.4&#8243; _module_preset=&raquo;default&raquo; global_colors_info=&raquo;{}&raquo;][et_pb_column type=&raquo;4_4&#8243; _builder_version=&raquo;4.27.4&#8243; _module_preset=&raquo;default&raquo; global_colors_info=&raquo;{}&raquo;][et_pb_image src=&raquo;https:\/\/nsff.no\/magasinet\/wp-content\/uploads\/sites\/2\/2025\/10\/nina-Berman_TyReneeWedding.jpg&raquo; title_text=&raquo;nina Berman_TyReneeWedding&raquo; align=&raquo;center&raquo; _builder_version=&raquo;4.27.4&#8243; _module_preset=&raquo;default&raquo; global_colors_info=&raquo;{}&raquo;][\/et_pb_image][et_pb_text _builder_version=&raquo;4.27.4&#8243; _module_preset=&raquo;default&raquo; hover_enabled=&raquo;0&#8243; global_colors_info=&raquo;{}&raquo; sticky_enabled=&raquo;0&#8243;]<\/p>\n<div>\n<div style=\"text-align: center\" data-olk-copy-source=\"MessageBody\">Text: <span data-olk-copy-source=\"MessageBody\">Michiel van Mens<\/span><\/div>\n<div data-olk-copy-source=\"MessageBody\">\u00a0<\/div>\n<div data-olk-copy-source=\"MessageBody\">Recently I finished a study about the photographic signature in street photography. That article fortunately received a great deal of positive attention\u2014both nationally and internationally\u2014from photographers, curators, and scholars affiliated with leading universities. At the time, I believed the project had reached its natural conclusion.<br \/>However, that changed when I recently received access to a unique dataset from the Rijksmuseum in Amsterdam\/Netherlands. The data consists of visitor responses to the photo exhibition &#8216;American Photography&#8217;, including answers to the question: \u201cWhich photo do you still remember?\u201d This inspired a new investigation, centered around the question: &#8216;What is the underlying rationale behind a good photograph?&#8217;<br \/>The combination of this distinctive dataset, a focused research question, and insightful results has led to <a href=\"https:\/\/vanmens.com\/the-good-photographs-of-american-photography\/\"><strong>a new article<\/strong><\/a>, which I\u2019m excited to share with you.<\/div>\n<\/div>\n<div data-olk-copy-source=\"MessageBody\">\u00a0<\/div>\n<div data-olk-copy-source=\"MessageBody\">\u00a0<\/div>\n<div data-olk-copy-source=\"MessageBody\">\u00a0<\/div>\n<div data-olk-copy-source=\"MessageBody\">\n<p>&nbsp;<\/p>\n<p><strong>Oversatt til norsk:<\/strong>Nylig fullf\u00f8rte jeg en studie om den fotografiske signaturen i gatefotografi. Artikkelen fikk heldigvis mye positiv oppmerksomhet\u2014b\u00e5de nasjonalt og internasjonalt\u2014fra fotografer, kuratorer og forskere tilknyttet ledende universiteter. P\u00e5 den tiden trodde jeg at prosjektet hadde n\u00e5dd sin naturlige konklusjon. Imidlertid endret dette seg da jeg nylig fikk tilgang til et unikt datasett fra Rijksmuseum i Amsterdam, Nederland. Dataene best\u00e5r av bes\u00f8kendes svar p\u00e5 fotoutstillingen &#8216;American Photography&#8217;, som inkluderte svar p\u00e5 sp\u00f8rsm\u00e5let: \u201cHvilket bilde husker du fortsatt?\u201d Dette inspirerte til en ny unders\u00f8kelse, sentrert rundt sp\u00f8rsm\u00e5let: &#8216;Hva er den underliggende fundamentet bak et godt fotografi?&#8217; Kombinasjonen av dette distinkte datasettet, et fokusert forskningssp\u00f8rsm\u00e5l og innsiktsfulle resultater har f\u00f8rt til en <a href=\"https:\/\/vanmens.com\/the-good-photographs-of-american-photography\/\"><strong>en ny artikkel<\/strong><\/a>, som jeg er begeistret for \u00e5 dele med dere.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<blockquote class=\"wp-embedded-content\" data-secret=\"2U6fABeqhC\"><p><a href=\"https:\/\/vanmens.com\/the-good-photographs-of-american-photography\/\">The Good Photographs of American Photography<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;The Good Photographs of American Photography&#8221; &#8212; Michiel van Mens\" src=\"https:\/\/vanmens.com\/the-good-photographs-of-american-photography\/embed\/#?secret=j19uJGjqUf#?secret=2U6fABeqhC\" data-secret=\"2U6fABeqhC\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Text: Michiel van Mens \u00a0 Recently I finished a study about the photographic signature in street photography. That article fortunately received a great deal of positive attention\u2014both nationally and internationally\u2014from photographers, curators, and scholars affiliated with leading universities. At the time, I believed the project had reached its natural conclusion.However, that changed when I recently [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":18646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7,91,14],"tags":[1016,1015],"class_list":["post-18637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-foto","category-inspirasjon","category-nyheter","tag-michiel-van-mens","tag-the-good-photographs-of-american-photography","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Good Photographs of American Photography - NSFF Magasin | Norsk Selskap for Fotografi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nsff.no\/magasinet\/2025\/10\/29\/the-good-photographs-of-american-photography\/\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Good Photographs of American Photography - NSFF Magasin | Norsk Selskap for Fotografi\" \/>\n<meta property=\"og:description\" content=\"Text: Michiel van Mens \u00a0 Recently I finished a study about the photographic signature in street photography. That article fortunately received a great deal of positive attention\u2014both nationally and internationally\u2014from photographers, curators, and scholars affiliated with leading universities. 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