{"id":17604,"date":"2025-08-22T18:15:44","date_gmt":"2025-08-22T16:15:44","guid":{"rendered":"https:\/\/nsff.no\/magasinet\/?p=17604"},"modified":"2026-04-07T19:58:31","modified_gmt":"2026-04-07T17:58:31","slug":"portrettintervju-av-hans-einar-johannessen","status":"publish","type":"post","link":"https:\/\/nsff.no\/magasinet\/2025\/08\/22\/portrettintervju-av-hans-einar-johannessen\/","title":{"rendered":"Portrettintervju av Hans Einar Johannessen"},"content":{"rendered":"

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Hans Einar Johannessen, 69 \u00e5r, kommer fra Haugesund. Han tok sin fotografutdannelse i Berlin og mesterpapirene i Norge og fulgte i sin far, Idar Johannessens, fotspor, som ogs\u00e5 var fotografmester. I 1983 var han med p\u00e5 \u00e5 starte Haugaland fotoklubb<\/a>. Hans Einar fikk sitt f\u00f8rste kamera som julegave i 1962, et Kodak Brownie 127, og han framkalte sin f\u00f8rste film 20. januar i 1963. Sommeren 1963 fikk han sitt f\u00f8rste riktige kamera, en Agfa Parat I, som tok halvformat. Samme \u00e5r tok han ogs\u00e5 sine f\u00f8rste bilder med en Hasselblad som han fortsatt har og bruker.<\/p>\n

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Hva fotograferer du helst?<\/strong><\/p>\n

– Mennesker og arkitektur.\u00a0 Mye mote de siste \u00e5rene, samarbeider med en designer, Victoria Amerson fra Seattle \/ Wien. Ellers fine art nude og The Slow Portrait Project.<\/p>\n

Hva unng\u00e5r du \u00e5 fotografere?<\/strong><\/p>\n

– Brudepar, det har jeg gjort nok av!<\/p>\n

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Har du noe spesielt du \u00f8nsker \u00e5 f\u00e5 frem med bildene dine?\u00a0<\/strong><\/p>\n

– Jeg liker det klassiske, hvor ting som oftest er i fokus.<\/p>\n

Fotografering er b\u00e5de en livsstil og et levebr\u00f8d for Johannessen, men han har ogs\u00e5 jobbet som l\u00e6rer i mange \u00e5r. Han bruker ikke noe spesielt utstyr eller teknikker i etterbehandlingen. Selv omtaler han seg som ganske s\u00e5 impulsiv, og han tilpasser seg tid og sted n\u00e5r han skal fotografere.<\/p>\n

– Mange \u00e5r praksis gj\u00f8r at dette g\u00e5r det som oftes bra, forteller han.<\/p>\n

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Hva er det som inspirerer deg?<\/strong><\/p>\n

– Min fars portretter og hans tiln\u00e6rming til fotografi.<\/p>\n

N\u00e5r du fotograferer, er det helst i selskap med andre fotovenner eller g\u00e5r du alene?<\/strong><\/p>\n

– Som oftes alene, men ogs\u00e5 gjerne som veileder for andre.<\/p>\n

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Han avsl\u00f8rer at han ikke er s\u00e6rlig flink til \u00e5 vise frem bildene sine til andre. \u00a0\u00c5 markedsf\u00f8re seg eller \u00a0\u00abselge\u00bb seg selv opplever han ogs\u00e5 utfordrende, men den ivrige fotografen har sin egen nettside, som er under utarbeiding. Ogs\u00e5, til neste \u00e5r, h\u00e5per han \u00e5 f\u00e5 til en utstilling, et slags retrospektiv over 50 \u00e5r som yrkesfotograf.<\/p>\n

Hvilken fotograf ville du hatt med p\u00e5 en fototur?\u00a0<\/strong><\/p>\n

– Min venn og kollega Udo Hesse fra Berlin som jeg studerte med. Vi er s\u00e5\u00e5\u00e5 veldig forskjellige og har v\u00e6rt venner siden den dagen vi begge var p\u00e5 opptakspr\u00f8ve i Berlin.<\/p>\n

– Mitt store prosjekt for tiden er The Slow Portrait Project. Dette er portretter tatt med mye ro og mak, og uten blitz, med stativ og litt lengre lukkertider.<\/p>\n

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Er det andre ting du \u00f8nsker \u00e5 dele med leserne?<\/strong><\/p>\n

– Jeg skulle \u00f8nske at den neste generasjonen ikke brukte anglesismer, men heller gode norske ord: Stativ ikke tripod, objektiv ikke linse, bits ikke flash og mye mer. En har korte eller lengre lukkertider og stor eller liten blender\u00e5pning. Ingen grunn til \u00e5 bruke engelske uttrykk. Mye spr\u00f8yt og overtro p\u00e5 Youtube\u2026<\/p>\n

– Og, avslutter Hans Einar, en viktig ting! Ta deg tid til \u00e5 oppleve verden, se den med \u00f8ynene dine, du trenger ikke \u00e5 ta bilder av alt og alle. Enkelte ting er bedre i erindringene v\u00e5r enn p\u00e5 en minnebrikke. Et\u00a0 bilder tar sjelden med seg lukt, lyd, varmen fra sola, kulden fra sn\u00f8en eller mykheten til sanden du trasker i.<\/p>\n

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Portrettintervju av Hans Einar Johannessen<\/p>\n","protected":false},"author":41,"featured_media":17636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17,14],"tags":[988],"class_list":["post-17604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-medlemmer","category-nyheter","tag-portrettintervju-av-hans-einar-johannessen","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nPortrettintervju av Hans Einar Johannessen - NSFF Magasin | Norsk Selskap for Fotografi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nsff.no\/magasinet\/2025\/08\/22\/portrettintervju-av-hans-einar-johannessen\/\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrettintervju av Hans Einar Johannessen\" \/>\n<meta property=\"og:description\" content=\"Portrettintervju av Hans Einar Johannessen\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nsff.no\/magasinet\/2025\/08\/22\/portrettintervju-av-hans-einar-johannessen\/\" \/>\n<meta property=\"og:site_name\" content=\"NSFF Magasin | Norsk Selskap for Fotografi\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-22T16:15:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-07T17:58:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/nsff.no\/magasinet\/wp-content\/uploads\/sites\/2\/2025\/08\/MelCon.029.1-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1701\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Inger Postvoll\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Skrevet av\" \/>\n\t<meta name=\"twitter:data1\" content=\"Inger Postvoll\" \/>\n\t<meta name=\"twitter:label2\" content=\"Ansl. lesetid\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutter\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/\"},\"author\":{\"name\":\"Inger Postvoll\",\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/#\\\/schema\\\/person\\\/b3f691ff0db3022e1c1c729ce5d53086\"},\"headline\":\"Portrettintervju av Hans Einar Johannessen\",\"datePublished\":\"2025-08-22T16:15:44+00:00\",\"dateModified\":\"2026-04-07T17:58:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/\"},\"wordCount\":772,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2025\\\/08\\\/MelCon.029.1-scaled.jpeg\",\"keywords\":[\"Portrettintervju av Hans Einar Johannessen\"],\"articleSection\":[\"Medlemmer\",\"Nyheter\"],\"inLanguage\":\"nb-NO\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/\",\"url\":\"https:\\\/\\\/nsff.no\\\/magasinet\\\/2025\\\/08\\\/22\\\/portrettintervju-av-hans-einar-johannessen\\\/\",\"name\":\"Portrettintervju av Hans Einar Johannessen - 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